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| thursday,
june 4 - sunday, june 28 |
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GALA Hispanic Theatre
3333 14th St, NW
Washington, DC 20010 map
parking
Available behind the theatre at the Giant garage
on Park Rd. |
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| tickets
& more information |
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Limited
Rush Tickets
A limited number of $18 rush tickets will be
sold at the box office before each presentation.
thursday-saturday 6:30pm-7:15pm
sunday 1:30pm-2:15pm |
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“As Eva, Conforte’s
the most fluidly alive corpse you’re likely
to come across, and her supple-limbed tango with Juan
Perón (Antonio Soto) is the evening’s
highlight. The actress holds herself with a stiffness
that suggests the grave but slowly allows the music,
and the man, to bend her long form. It’s as
if Eva is gently unfurling herself for us, to reveal
the woman she was in life, one last time.” —Washington
City Paper
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| "It's
a fascinating story, and GALA's production...complements
the tale with infectious music, spiced with salsa,
liturgical chorales and other genres". —Washington
Post
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"Ott
and Vales have packed a tremendous amount of history
into "Momia", which faithfully reproduces
what happened in Argentina from 1952 until 1976"
—Washington
Examiner
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"Once
again GALA makes a priceless contribution to Washington
theatre with this splendorous world premiere musical.
Don’t miss it. Let the rafters of the Tivoli
shake, rattle and ring with the vocal blend of an
impassioned international cast". —DC
Theatre Scene
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"GALA
deserve applause for nerve alone for this out of the
ordinary and very worthy possible cross-over venture".
—Potomac
Stages
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"Un
hito en la trayectoria del Teatro GALA. Esta es
la primera vez que se realiza un musical de esta
magnitud, que incluye cerca de 40 personas en escena."
—Maritza
Gueler. El Tiempo Latino
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“A
seven-person orchestra and 21-person chorus offstage
deliver Vales’ arresting music, which is alternatively
harsh and gentle Together with Carina Losano’s
brilliant choreography using salsas, milongas and
tangos, the music gives “Momia” its earthy,
zesty feel, ensuring that the musical comes off as
anything but a staged history lesson.” —The
Examiner
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"Una
propuesta que deber ser vista por los amantes del
teatro." —Mitzi
Macías. Washinton Hispanic
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"Conforte's
physical vocabulary is impressive (...). She offers
audiences a tremendous performance to consider."
—Tom
Ávila. Metro Weekly
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“Carina
Losano, who gave Madonna tango tips for the "Evita"
movie, according to the playbill, supplies witty
choreography that references vogue-ing, ballroom
dance and street-protest carousing.”
—Washington
Post
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